INTERNATIONAL EXPERTS SHOW ART LIBRARIANS HOW TO ANTICIPATE AND UNDERSTAND THEIR USERS’ NEEDS Friday, Jul 9 2010
Books and General Announcements and New Releases and Press Releases 2:09 pm
July 10, 2010 (New York, NY) — “Academic art libraries today, given their users’ predilection for creativity, are presented with new opportunities to redesign their sense of place to become a centre of dynamic interaction and learning in ways that were not possible or even imaginable in the past,” Thomas F. Schutte, President of Pratt Institute, writes in the foreword to The Handbook of Art and Design Librarianship.
Art and design librarians have some of the most unique and challenging roles in the world of academic librarianship. Because their patrons constitute such a distinct and specialized group, these librarians must have top-notch skills and resources at their disposal. The Handbook of Art and Design Librarianship, to be released in North America by Neal-Schuman Publishers on August 25, 2010, combines key philosophies with practical skills and real-life examples to help readers deliver the most up-to-date innovations in their academic or art-school library.
Amanda Gluibizzi and Paul Glassman have assembled an extensive four-part collection of essays from some of the best experts across the globe. Part I, Roles and Responsibilities, provides instructions for running and maintaining a library. The authors describe the differences between art libraries and general academic libraries, the role of the art librarian, and other developments and demands of the field. Part II, Materials and Collection Management, focuses on the use of unique materials as teaching tools. Highlights include media, digitization, and keeping collections current. Part III, Teaching and Learning, examines different techniques and styles of teaching art and design students, who exhibit a diverse array of learning styles across a spectrum of disciplines within the field. Chapters range from art historians in the art library to design students in a conservative Middle Eastern setting. Part IV, Learning Spaces, Promotion and Sustainability, turns to the function of art libraries in larger contexts, such as universities and communities. The thorough topic coverage includes creating usable spaces, using art libraries for community art outreach, the philosophy of space construction, and applying theoretical models to actual situations. An appendix includes detailed profiles of each of the libraries mentioned in the book.
The Handbook of Art and Design Librarianship will serve as a comprehensive field guide for all art and design information professionals. It will also be useful to LIS students learning about this professional specialization.
The Handbook of Art and Design Librarianship
ISBN 978-1-85604-702-9.
2010. 6 x 9. 330 pp. $115.00.
About the Editors
Amanda Gluibizzi is Assistant Professor and Fine Arts Librarian, Wexner Center for the Arts, Ohio State University.
Paul Glassman is Associate Professor and Director of the Library at Felician College, New Jersey.
About Neal-Schuman Publishers and Facet Publishing
Facet Publishing titles are exclusively available in the United States through Neal-Schuman Publishers, a leading provider of library management, Internet, and information technology resources. Facet is the imprint of the prestigious Chartered Institute of Library and Information Professionals (formerly the Library Association). Founded in 1976, Neal-Schuman Publishers is based in New York City with offices in London, UK.
For More Information and/or Cover Art
Contact Laura Berlinsky-Schine
laura.berlinsky-schine@neal-schuman.com
100 William Street, Suite 2004
New York, NY 10038
212-925-8650
www.neal-schuman.com
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